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The Camera Crew Panel
Why shouldn't cinematographers be required to operate their own cameras? This seminar answers that question by exploring the unique role that each member of the camera crew plays in the collaborative art and craft of telling stories with moving images. The slightest nuance in light and darkness, colors, composition, camera movement and angles, focus and other countless variables can change both the meanings of and the emotions evoked by individual shots, scenes and stories.
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Clip 1
Runtime 21:21
- Kristin Petrovich begins the panel
- Bob Fisher introduces the panel
- Allen Daviau, ASC
- Paul Babin, SOC
- Steven Bernstein, ASC
- Steve Turner, Post Production Producer
- Steven Poster, ASC
- Michael Ferris, Operator
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Clip 2
Runtime 15:49
- Who makes up our audience?
- What is the interaction like regarding lens choice & composition?
- How do you pick your operator? - Steven Poster, ASC
- If there is no operator, can you make up for the absence in post? - Steve Turner, Post Production Producer
- How much does the director participate in the selection of the lenses? -Steven Bernstein, ASC & Allen Daviau, ASC
- How do you pick your camera operator? - Allen Daviau, ASC
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Clip 3
Runtime 17:55
- History of the camera operator - Allen Daviau, ASC
- Paul Babin, SOC & Allen Daviau, ASC - an example of the operator/cinematographer relationship
- How is collaboration affected by technology? - Steven Poster, ASC
- Empire of the Sun in China with Steven Spielberg - Allen Daviau, ASC
- Van Helsing in Prague, Czech Republic - Allen Daviau, ASC
- How involved typically are cinematographers in post production? - Steve Turner, Post Production Producer
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Clip 4
Runtime 13:03
- How do you know what the director & cinematographer wants? - Michael Ferris, Operator
- Advances in display technology will force a more critical eye on set - Steven Poster, ASC
- How do you know what the director & cinematographer wants? - Paul Babin, SOC & Mike Ferris, Operator
- Orsen Welles' unfinished epic The Other Side of the Wind - Michael Ferris, Operator
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Clip 5
Runtime 10:50
- Can you recall an instance where something spontaneous worked because of collaboration? - Allen Daviau, ASC & Paul Babin, SOC
- Fearless - Directed by Peter Weir - Allen Daviau, ASC & Paul Babin, SOC
- Interaction between operator & actor triggers unexpected inspiration - Allen Daviau, ASC & Paul Babin, SOC
- Can you recall an instance where something spontaneous worked because of collaboration? - Steven Bernstein, ASC & Michael Ferris, Operator
- One Night with the King - Directed by Michael O. Sajbel - Steven Bernstein, ASC
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Clip 6
Runtime 5:42
- What is changing in the International Cinematographers Guild? - Steven Poster, ASC
- An announcement concerning low-budget negotiations - Steven Poster, ASC
- Steve Turner, as a producer, have you learned anything you did not know? - Steve Turner, Post Production Producer & Steven Poster, ASC
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Clip 7
Runtime 19:22
- Question: What is the role of the focus puller? - Allen Daviau, ASC & Steven Poster, ASC
- Monster - Directed by Patty Jenkins, starring Charlize Theron - Steven Bernstein, ASC & Michael Ferris, Operator
- Role & perspective of the camera operator - Paul Babin, SOC
- Question: What will be the effect & role of digital? - Allen Daviau, ASC & Steven Poster, ASC
- Question: As an operator, when should you voice concern?
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